There’s excitement, there’s lugubriousnes – heck, there’s even a spot of dubstep – but this is the indisputable sound of Sherlock Holmes. Most notable is the greater use of the string section, which stirs within you an elegance and dynamism usually associated with one of Arnold’s Bond soundtracks: the opening to ‘#SherlockLives’ is so sweepingly grand in that ‘agent abroad’ sort of way that you’d think it had been written for Benedict Cumberbatch’s sleuth to emerge from a crystal blue sea in his swimming trunks (there’s a free mental image for your brain to ‘right click and save’ on).Īs Sherlock‘s third run pushed the great 21st trendsetter detective and his chums into new areas of emotion, so the soundtrack takes the orchestra and listener on a parallel audio journey. A British crime drama television series based on Sir Arthur Conan Doyle's Sherlock Holmes detective stories. There’s an increase in experimentation, such as in the bass-indulgent ‘Stag Night’, but also an engagement with the classic hallmarks of cinematic composition, creating a lush filmic sensation that accentuates the big-screen ambition of the show. The result is an album of instrumental innovation and thematic diversity.Īs the show has become more elaborate so too has the orchestration. While some have bridled at Series 3 pushing the boundaries of what a Sherlock story can be, it has at least challenged the music to accompany it. Sherlock: The Abominable Bride Official Trailer Download IAMAG Master Classes Application on Android or iOS GET IAMAG Master Classes on your Phone or Tablet. Fully cementing their place as the Holmes & Watson of collaborative composition with their third Sherlock album, David Arnold and Michael Price have once again produced a responsive mix of rousing, cheeky, and surprising tracks.
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